Kashiraja

Kashiraja
to reign with light

Saturday, June 23, 2012

Alignment


Every thought, emotion, and action from every experience leaves an imprint on the physical body.  Spiritually, the physical body is a projection of our human experience, and a sacred temple in which to explore, and expand our consciousness within.  Physically, bones, muscles, joints, etc. differ in size, shape, joints and configuration, and tension in the body differs in location, intensity and its ability to release.  These differences make asana alignment challenging in unique ways.  Respect the body, and accept the challenges it presents as a unique gift.  Perfect asana is achieved through consciously finding accurate alignment for each individual, as well as arriving at an edge, where the asana is filled with integrity, breath, and intention.  To explore an asana’s edge, use the breath to feel around in the body, then go a little beyond the edge to explore what comes up emotionally, and spiritually with acceptance and detachment.  Then, back off from the edge to explore what comes up for you here.  Every asana is dynamic, so dance around its edge and be open to the many gifts each asana has to offer each time it is visited.  Practice ahimsa, compassion, by honoring the physical, mental, emotional, and spiritual edges that are met while consciously doing battle with blockages, and illusions in the way of finding Truth.  
There are some basic principles to finding the most perfect alignment.  There is a lot to be discovered through consciousness of breath, it is our life force and guide during asana practice.  Breath tells us where we are at.  If we have gone too far beyond our edge, the breath will become short, labored, or disappear completely.  If we are not quite at our edge, the breath will might lose its tenacity, and strength.  Finding the utmost integrity in as asana requires a strong, balanced, and conscious breath where the inhale and exhale are matched with intensity, and depth.  Bones are more dense than muscles, making them stronger.  Stacking the bones in each asana creates a strong foundation that balances out weight, and effort, more evenly between bone structure and muscle engagement.  Balancing the strength and flexibility of antagonistic muscles also ensures proper alignment, as well as prevents tension and strain injuries.  Antagonistic muscles work together in opposites such as the quadricep and hamstring.  For instance, if the quadricep, or front of the thigh, is not engaged while stretching the hamstring, or back of the thigh, then it is possible to over-stretch, and strain the hamstring. If the hamstring is not engaged to balance out a hamstring stretch, then it is possible to strain the quadricep.  Another example is with the antagonistic muscles of the core and back.  In a forward bend, the core is engaged so the back muscles can relax and lengthen.  In a back bend, the back is engaged so the core can relax and stretch.  Back muscles are constantly taking a beating, and are easily prone to tension injuries.  Proper bone alignment, and muscle balance can help heal, and prevent further injuries.  For instance, in a back strengthening asana such as Warrior III, if the antagonistic muscles of the core are not actively balanced with the muscles of the back, too much tension may build, and result in injury.  Consistent engagement of the bundhas, energetic locks, will also help to zip up the asana into proper alignment on a more subtle level.  Engagement of the bundhas also help gather up, and shuttle excess energy towards the central energy energy channel, the shushumna nadi, the final energetic channel leading towards enlightenment.  Even though enlightenment is rarely realized, bundha activation during asana practice does serve as a great energetic tune-up.  Activate and become aware of the whole body to create proper alignment, and optimal flow of energy that feeds all parts of the body, especially the hands and feet.  Lastly, proper alignment seeks to balance the principles of sthira and sukha.  Sthira is strength, and grounding, while sukha is softness, and expansion.  Balancing the forces of sthira and sukha in each asana, creates grace in your practice.  Proper alignment is a living, breathing, practice.  It takes many years to integrate all the many principles of proper alignment into a practice, and the journey is the reward.

The Warrior's Prayer


I am what I am.
In having faith in the beauty within me I develop trust.
In softness I have strength.
In silence I walk with the Gods.
In Peace I understand myself and the world.
In conflict I walk away.
In detachment I am free.
In respecting all living things I respect myself.
In dedication I honor the courage within me.
In eternity I have compassion for the nature of all things.
In love I unconditionally accept the evolution of others.
In freedom I have power.
In my individuality I express the God-Force within me.
In service I give of what I have become.
I am what I am:
Eternal, immortal, universal, and infinite.
And so be it.

The song of the Sylvapolitan


I am the earth I am
I am the opening heart I am
I am the sky I am
I am the endless expanse of awareness I am
I am the starlight of eternity I am
I am the moonlight of presence I am
I am the sunshine of life I am
I am the thunder of being I am
I am the lightening of passions I am
I am the rainfall of tears I am
I am the winds of forgiveness I am
I am the sparkling morning dew of laughter I am
I am the clouds of life passing I am
I am the rainbow of memories and futures to come I am
I am caves I am
I am deep deep sleep I am
I am luminous fish in dark pools I am
I am dreams of remembrance I am
I am crystals I am
I am life awakening to myself I am
I am rivers I am
I am the running pulse of procreation I am
I am waterfalls I am
I am orgasmic joy I am
I am fields and forests I am
I am fertility, nourishment, and growth I am
I am deserts and arid lands I am
I am patience and the burning will of perseverance I am
I am rocky shores I am
I am life in transition I am
I am hurricanes I am
I am trust and surrender I am
I am strong ocean currents I am
I am life in the flow I am
My tribe is creation
The earth is my clan
All that exist here are my people
I am the flowering of forever I am
In the garden of the Divine family of creation
Pachamama Prayer (in Quechua)
Pacha mama mucha napin
Yuya rinchis mama tay tay - ta
Wasin chista allun chista
Munas canchis kow sai nin chista
Mother Earth, on the altar with reverence
We remember you, mother, and father sky
Our home, our family
We love you, for giving us our lives

Friday, March 16, 2012

Reminded

Reminded, not grounded
No thing matters
There is no light, nor dark
There is no up, nor down
There is no inside, nor outside
Surveying this land,
Navigating through these rock formations,
Leading & nurturing a herd,
Connecting with & sharing the sweet, sweet Mother,
Drinking deeply of Her nectar,
and Playing my role as a strong medicine woman
...all as I have done for thousands and thousands of years
Her blood is my blood
Her life force is my life force
Make the inside like the outside
all is One 

Serra Lynn Smick
*written after a phenomenal day of exploring the Indians Campground near Fort Hunter Liggett in CA. 

Monday, February 27, 2012

Michael Gilman "A String of Pearls: 108 Meditations"

"Approach your practice of (Tai Chi) Ashtanga with a mixture of awe, respect and love.  Realize that people have been doing the same movements that you are now doing for at least 20 generations, and every time you start, the cumulative greatness of this art is expressed through you.  You are the forward edge of the wave that is moving endlessly forwards, pushed by the entire ocean of the past."

Monday, February 13, 2012

Recommended Book List

Anatomy of the Spirit by Caroline Myss
Anatomy of Hatha Yoga by H. David Coulter
Anam Cara: a book of celtic wisdom by John O’Donohue
Animal Speak by Ted Andrews 
Ashtanga Yoga “The Practice Manual” by David Swenson
Autobiography of a Yogi by Pramahansa Yogananda
A New Earth by Eckhart Tolle
The Enlightened Heart: an anthology of sacred poetry by Stephen Mitchell 
Buddha by Deepak Chopra
Dosha for Life by linda Bretherton & Kim Whitham
Emotional Anatomy by Stanley Keleman
Energy Medicine by Donna Eden
Fierce Medicine by Ana T. Forrest
Freedom From the Known by J. Krishnamurti
The Guru Papers: masks of authoritarian power by Joel Kramer & Diana Alstad
Yoga Beyond Belief by Ganga White
The Yoga of the Bhagavad Gita by Paramahansa Yogananda
Hatha Yoga Pradipika (version by Bihar School of Yoga)
The Heart of Yoga by Shiva Rae
Integrative Medicine by Andrew Wyle
Jivamukti Yoga by Sharon Gannon & David Life
Kabir: ecstatic poems by Robert Bly
Light On Yoga by B.K.S. Iyengar
Living Your Yoga by Judith Lasater
Meditation and Other Spiritual Disciplines by Swami Swahananda
Meditation by the Monks of the Ramakrishna Order
Meditations From the Mat by Rolf Gates
Peace Is Every Step by Thich Nhat Hanh
Radical Acceptance by Tara Brach, Ph. D.
Think On These Things by J. Krishnamurti
Vedanta: Voice of Freedom by Swami Vivekananda
The Way of Council by Jack Zimmerman & Virginia Coyle
Yoga and the Path of the Urban Mystic by Darren John Main
The Yoga Tradition by Georg Feurstein
Yoga Posture Adjustments and Assisting by Stephanie Pappas

Monday, February 6, 2012

Yoga Etiquette

Studio Etiquette

Payment:

Yoga is based on honesty, so simply be honest. Do not try to get free classes just because your friend is the teacher, or because you are a teacher. Teachers usually get free yoga where the teach, but this does not mean you should get free everywhere. Do not try to change your namie in order to take advantage of new student packages most studios have to offer. You only get to be a new students once. Simply abide by the rules for each studio you enjoy practicing at. Remember that the type of energy you project, you also attract. As an instructor, it is a rare occasion that you will find yourself behind the desk, but the same rules apply, just be honest and have integrity in all your transactions and dealings.

Teachers:

Many of us have preferences for which teacher we most enjoy practicing with, and this is normal and perfectly acceptable. what is unacceptable is voicing your opinions on which teachers are awesome and which are not at the studio, especially within earshot of any owner, secretary or, god forbid, teachers. This classifying forgets that we are all entitled to our own experience and opinions, not to mention it is incredibly rude, and if your words happen to fall on the wrong ears, say your least favorite teacher's ears, they can be extremely, and unnecessarily hurtful. This also means that if you show up to take your favorite teachers class and there is you may not know, or don't prefer, take class anyways. Everything happens for a reason and you are meant to show up that day for yoga with that specific teacher, like it or not. Leaving would be missing out on an opportunity to learn. If that means that you end up judging and comparing the teacher the whole time, then shame on you, but watch your judging and comparing, naturally detaching from it and learn more about it, maybe you'll even get to transform it into love and light, which is the purpose of living. It is also highly inappropriate if you are a teacher comparing other teachers as well. keep your opinions to yourself, practice with your preferred teachers, and learn to let go if you show up and your favorite teacher has a sub.

Chatting in the Lobby:

Depending on the studio, the lobby may be located within ear shot of the class room. If this is the case, keep your volume to a dull roar. Typically, if you arrive 15 minutes early or right before, you are also arriving when previous classes are winding down, or already in savasana meditation. Respect the savasana by not chatting away loudly in the lobby, disrespecting the peace and quite of the students still in class. Keep this in mind if you are the instructor checking your students in as well.



Class Etiquette

Scents:

No matter how pleasant you think your favorite oils, perfumes, sprays, lotions, etc. are keep in mind that in a room full of perspiring yoga students your strong scents may in fact insult the nostrils of a fellow student, this goes for teachers too.

Alcohol or drug Use:

This kind of goes without saying, and mostly for the reason that you should always come to the mat with the intention of letting whatever is meant to happen happen, but preparing yourself beforehand with the utmost integrity. Showing up drunk or high does not set you up to be clear to experience the process that occurs or not. It is also dangerous for you and for your fellow students and teacher, as you never know what can happen when mixing drugs or alcohol with an intense physical, emotional, mental, and spiritual experience.

Arrive early for class:

Not only is it extremely distracting to have students come to class late for the students, but also for the teacher. Once class begins, a beautiful orchestration of energy begins to flow involving the teacher and students together as one moving, breathing, flowing energy. A trust and safeness is felt as the energy of the individual merges with the group as a whole. If a student walks in late, it interrupts this mutually felt trust and safety that is felt. Eventually, the energies will merge again, but if this can be avoided. Arriving not just on time, but early to allow for ample time to pay, go to the bathroom, set your things in a safe spot, create your sacred space, and drop in is the way to not only avoid interrupting the sacred flow of experience that occurs in each class, but it also sets you up for success. It is acting with compassion for you, for your class mates and for your teacher. Teachers should arrive early, how early depends on the protocol of the studio where you teach. Typically, you want to arrive with enough time to get settled, and prepared for teaching. Make sure you give yourself enough time to set up music, set up your mat, and water, clear the room of any negative energy, and set your intention for teaching, usually about 15 minutes is ample time for this.

Remove your shoes:

In the class room, treat the space with respect. Your mat is placed on the floor, where your sacred experience takes place. Respect not only your mat, but the floor beneath it by removing your shoes. This will also prevent tracking dirt all over the studio floor where often times your feet, hands, and who knows what other body parts may touch.

Electronic devices:

Yoga is meant to calm the fluctuations of the mind and so a peaceful, and relaxing environment is key. It is also meant to bring you into the present moment. a phone call can not only disturb the ears of everyone in the class room, but it can also set everyone’s mind off on wondering who the phone belongs to, who just irritated and distracted them, who is calling, and what did they want, thereby bringing everybody into the past and future and away from the present moment. Do not bring your phone, or beeper into class under any circumstances. In some special cases, the teacher may allow you to bring in your phone, but this must be communicated to the teacher ahead of time. Also, you must ask the teacher if it is ok rather than tell them, and be respectful of whatever their choice is. Remember that the teacher has a whole class to consider, not just you.

Mat placement:

Some classrooms will have mirrors and some will not. If mirrors are present, this is an opportunity for you to visually check your own alignment by placing your mat so that you have a clear visual line to the mirror. This is not always possible, but do your best. Give others the same opportunity to check out and refine their own alignment by placing your mat in a way so that the students behind you can also see. Often times staggering mats works best for this. Also, many students come to class and bring all their old habits in with them, such as continually placing their mat in the same spot. Yoga is about breaking patterns, so do not feed into your old, rigid patterns by continually “getting your spot” in class. When you walk into the room, see if you can tap into your intuition to tell you where you should place your mat for this particular class. This will keep your perspective fresh from the moment you set your mat down.

Respect other space:

Whether you are slightly new to yoga, or a seasoned practitioner you probably can remember some amazing breakthroughs you had had on your mat, physically, mentally and emotionally. So, in a way you have gone through some processes, or journeys on your mat. Now think about your practice as a whole and the accumulation of journeys you have gone through, which is your journey through yoga. think about how special that is to you and think about how that journey takes place on your mat. Your mat hold the collective vibration of the accumulation of all the experiences that have taken place on it, and so is very sacred. Respect your mat by keeping it clean, physically, and energetically. Respect others mats too by consciously walking around, thereby respecting their sacred space.

Let the teacher be the teacher:

Not only from a student’s perspective, but also from a teacher’s, it is extremely rude when a student takes liberty to instruct another student, get up to adjust the heat, lights, music, doors, windows, etc. Hold space for the teacher to hold the energy of the room in a safe and nurturing environment. Additionally, if a student takes liberty to help out the teacher in the way they see fit, it subconsciously causes the class to lose trust in the teacher’s ability to lead. An exception to this rule is if the teacher asks for your help. As a teacher, if a student challenges your authority, and begins to help you out, ask them kindly to stop and return to their mat. After class, it is up to you if you want to ask them not to do that again and offer an explanation why. Often times, asking them to stop and return to their mat is enough. If it becomes a problem, it is up to you to talk with the necessary people so as to create a safe space for your students while you are teaching.

Let the class be the class:

Sometimes we show up to a class and it is not what we expected or wanted to get from that hour or hour and a half of our precious time. However expecting and getting are two things that yoga invites us to overcome. Yoga does not just take place on the mat, it takes place in your life as well. So coming to class with expectations, and wanting to get something particular out of the class demonstrates a weak yoga practice. If you happen to show up and are not in love with the flow, your dissatisfaction with class becomes your practice and you can learn to detach from and watch it. If you can manage to shift your perspective in this way, you can open yourself up to experience one of the most powerful, and important yoga classes you have ever taken. This is a far better demonstration of integrity than leaving, or doing your own thing.

Talking during class:

In the few lingering moments before class begins you should give yourself some time to shift gears from your busy life to your yoga practice. It is impossible to shift into an inward focused practice when you spend these moments talking with your neighbor. In addition, talking before class disturbs those around who who are trying to make that inward shift. During the entire duration of class, remaining silent is essential. Only the teachers voice and any music played during class should be heard.

Leaving early:

There will be times when a student needs to leave early. In this case, it is up to the teacher to allow this or not. If you chose to let them take class, you can place them in the back of the room, so that when they leave early it is of the least disturbance to the rest of the class. Some yoga is better than no yoga.

Special cases:

This includes temporary or permanent injuries, disfigurements, and illnesses. This is a very personal subject. First of all it is up to the student to decide whether they want to practice or not. If you feel up to coming to class with an injury or disfigurement, great! Everybody who wants to show up to their mat should be honored and recognized for that. It takes a lot of courage to show up. As far as illness goes, practice ahimsa (compassion) both for yourself and for others. If you are contagious, do not bring your illness into the room and share it with your fellow students and teacher, and potentially the whole studio. If your are ill, but not contagious, its really up to you to decide. If you want to practice, by all means practice.

Savasana:

Savasana is the part of class where the benefits are realized. If you need to skip out on savasana once in a great while, its ok, just tell your teacher ahead of time. If this becomes a regular occurrence or preference, take a look at that. If you can’t come to the whole class, then you can’t show up to receive the full benefits. If this is the case, then why come to class?

Keep track of your things:

It can be pretty frustrating to leave the studio and realize you left your favorite mat, mat towel, wallet, etc. at the studio. “Yoga Brain” is that the totally present, and a little too connected to the intense experience we just had, so not connected to things like belongings state of mind we tend to get when leaving the studio. Yoga Brain can be blamed for many things, including forget our belonging at the studio. Try to make it a habit of making one last final check list of your belongings before you leave the studio. in addition, you wouldn’t believe the hot, sweaty, smelly pile of belongings that tend to accumulate from the many washings of yoga brain a studio experience on a daily basis.

Tuesday, January 17, 2012

Using stones to enhance sankalpa (intention) in yoga

Another great way to enhance your intention or prayer is by imploring the use of crystals or natural earth stones into your practice and into your teaching. a specific frequency of energy, or light, falls within a specific pattern and, therefore, emit a specific color. this phenomenon can be applied to earth stones in the study of metaphysics, loosely defined as the study of what is beyond physical form. beyond the physical properties of each stone lies a specific purpose. typically, a stone’s color will be a good indicator as to what its purpose is in relation to. when compared to the colors of the chakras, such as the royal blue stone lapis lazuli being good for clearing out and opening up the throat chakra.

Some good stones and their brief uses (for more info look to “the crystal bible”):

Volcanic rocks or rose quartz : grounding and balancing for the primal force
carnelian: calms temperament and balances ability to create with personal intention
citrine: promotes confidence and helps develop one’s personality
jade: healing for the heart and emotional matters
lapis lazuli: opens and promotes truth speaking and healing of the throat chakra
amethyst: opens third eye and enhances intuition
quartz : strengthens connection to spirit

What is Tarot and how can it enhance my sankalpa (intention) for yoga

Tarot cards depict a story and explain patterns we find in both the microcosm of ourselves and the macrocosm of the universe. within the cards, 21 major arcana cards depict a story of a young journeyer that evolves through overcoming first an earthly challenge followed by a spiritual challenge. like a deck of cards, 56 minor arcana cards are divided into four major suites (wands, swords, cups and pentacles, or disks) depict different types of challenges we overcome during different periods of our lives. Wands represent the nature of fire within and depict a story of overcoming challenges of the action and creation realm. cups represent the nature of water within us and depict a story of overcoming challenges of the emotional and spiritual realm. swords represent the nature of air within us and depict a story of overcoming challenges of the mind. pentacles, or disks, represent the nature of earth within us and depict a story of overcoming challenges of the material realm. certain card layouts can tell a specific story to answer a specific question, where each card represents a specific piece of the puzzle. You don’t have to be trained to read tarot cards, they are based on intuition. Where it is good to know the story of the major and minor arcana cards as well as the different suites and what they represent, it is not necessary. Having the foundational knowledge of the cards and their meaning can only enhance your readings, allowing one to extract even more meaning from them.

Reading cards, whether pulling a layout to answer a specific or general question or pulling a single card can help create a sankalpa (focus or intention) for each class. at the very least, pulling one card, meditating on the message in the card and allowing that message to be the focus of your class can help redirect your karma (actions) towards a more intentional purpose-fulfilling direction.

What is Reiki and how can it enhance teaching yoga?

Practicing Reiki is to use energy medicine by removing the ego and any attachment to outcome, opening up energetic pathways in the body to allowing universal healing energy to flow through the hand chakras and into the recipient. this is an extremely special gift to be able to share with your students as you adjust them deeper into poses. Healing will already be taking place, this will make it a smooth transition for them through this emotional, physical and spiritual release.

Bundhas or Energetic Locks

Here are a few bundhas or energetic locks used in a physical yoga practice that I have found to be very helpful, in fact they have revolutionized my yoga practice. I hope you enjoy them.

mula (root lock): appropriately named, this energetic lock is Located in the muladhara/root chakra. engagement of this bundha during asana and pranayama practices can help turn the normal downward, or apana, flowing energy in an upwards, or prana, flowing direction. it is this upward flowing energy that frees the latent, potential energy of the jiva, or soul, called kundalini. Unleashing the kundalini from the base of the spine upwards brings our consciousness closer to god, closer to reaching samadhi, or enlightenment. a bundha is an energetic lock and not an actual physical location in the body, however we can begin to feel its subtleties by accessing specific locations in the physical body. to find this bundha find your pelvic floor muscles and practice squeezing the genitals and the anus together and separately. notice a “pulling up” and in sensation and you lift the pelvic floor. then notice a more subtle energetic ring, or sphincter, about 3 inches up and in between the genitals and the anus, this is the mula bundha. Lift in and up on mula bundha to prevent the energy created in your yoga practice, and aimed at attaining enlightenment, from escaping out through the root chakra. at first you may want to work with engaging this bundha only on the exhales, and gradually evolve your yoga practice to involve mula bundha throughout the entire asana and pranayama portion of class. this bundahs physical purpose is to create strength and lightness in your physical practice, as well as supporting the length and structure of the lumbar spine.

uddiyana (abdominal lock): engaging this lock connects our emotions, and creativity towards our heart center, and physically it strengthens the abdominals and supports the thoracic spine. this energetic lock is also sometimes called “the flying up and in lock.” this description more accurately describes the action one takes to perform this lock. to engage this bundha pull the naval straight back towards the spine and lift it slightly up towards the rib cage. I like to envision a tiny little bird has flown into my naval and its destination is my rib cage.

jalandhara (chin lock): this energetic lock exists within the throat chakra and connects your ability to speak your truth with your heart center. This bundha also has the physical purpose of lengthening and supporting the cervical spine. to activate this bundha lengthen the base of your skull skyward and press your chin straight back into the front of your throat. Make it comfortable!

Maha (The great seal): is the engagement of the three previous bundhas all at once. Typically, multiple bundhas should be engaged from the bottom up and released from the top, down. engagement of the great seal brings the practitioner focus, allowing one to rest more fully into the present moment and into stillness of the mind. It also balances doshas (or aryuvedic constitutions), chakras (energy centers) as well as unties energetic granthis (knots). when the great seal is in place, the vayus (winds) within the body are directed through the nadis (energetic pathways) through muladhara (root) chakra and into the opening of the sushumna nadi (central energetic pathway from root to crown. when energy is running in this direction, enlightenment is a possibility.

hri bundha (heart or core lock): this energetic lock is to be obtained once mastery of maha bundha is attained. this lock allows for a soft open heart that is supported by a strong and lengthened spine. to activate the lock grow your spine up and out your pelvis, engage mula, uddiyana and jalandhara bundhas, pull your front and back ribs in and down, squeeze your lower tips of your shoulder blades into towards the kidneys and slide them down your back, inflate your chest, and lengthen up through all sides of your torso. imploring hri budha reverses a tendency to close down the heart, and lets us practice opening our hearts and share our love with the universe in a vulnerable and fearless way.

jivha (tongue lock): pressing the tip of your hardened front tip of your tongue onto the roof of your mouth, just behind the teeth. engagement of this bundha locks the throat chakra towards the anja & crown chakra, connecting the power of speaking your truth toward intuition and connection to spirit.

Saturday, January 14, 2012

Inspiration

The more I watch my self, the more I take the role of the silent witness, and through this, can learn about my self. The more I learn about my self, the more I step into the role of my true, higher Self. The more I step into my higher Self, the more I accept my divinity, my connection to the Whole, my participation in Reality. The more I grow, the more I ascend and raise my vibration. The more I raise my vibration, the more I participate in raising the vibration of the Whole. The more I help raise the vibration of the Whole, the more power the Whole gives me to continue to raise the vibration and heal the Whole. When that is my highest intention, prayer and purpose I can do no wrong. The Universe responds and brings me more opportunity to continue the cycle of death and rebirth to ascend with the Universe and be a positive force of love, healing, compassion and truth. This growth is sustained by the Universe providing me the means to live and continue following my heart and letting it lead me towards abundance. Living this way is win-win. Surrendering judgements, labeling, and attachment to all outcome creates an even stronger connection to faith, and Spirit. Understanding that Spirit works in mysterious ways and so we must unveil or ideas of how we can experience a joyful, loving, blissful life. Life can be seen as a continual practice of falling gracefully through the layers of self to finally arrive at Self, if we are diligent in our living a life's message of integrity. Let go and let God. Live life fully without fear. Be a warrior of the light by committing to continually hunt down the darkness and making light of it. See every moment as an opportunity to live your deepest purpose. Follow your heart towards living a life of love and compassion, within and without. Connect to Spirit to walk in the light of Truth. Let the air calm the fluctuation of thought and bring you stillness of the mind. Let the firm, dynamic Earth beneath you teach you un-attachment and bring you strength, support, grounding and steadiness. Let the penetrating Sun warm your heart. Let the flowing waters bring you stillness. These are the medicines, both within and without. Aho! Mitakuye Oyasin. To all my relations. Misla aya kolo! I love you! I stand in your honor and intend positive change, healing, love, light, peace, Truth & Oneness. I vow to honor you always by following a Spiritual path led by the light. Ekae. It is good.